“The message here is similar to ‘Luselude.’ It’s about perseverance.
‘Ama2000’ was my way of saying, ‘This is what we’re dealing with, and these are the children we’re raising.’” We have a generation of children who don’t really want to listen to their elders, who are always out clubbing and never at the house. “I was addressing the youngsters on this one. Some people might find it weird, but it’s a song about assurance-knowing you’ve found the one and treating her like it.” And being so certain about her that you give her your bank card so she can go on a night out with her girls and spoil herself. It’s about meeting a girl you’re 100 percent sure of. His life loses direction because he’s lost a woman that was good to him.” It’s only when the lady bounces that the guy realizes he messed up a good thing.
So, it’s about a guy who’s tripping he’s doing all this clubbing with his boys until the lady in the relationship can’t take it anymore. “‘Impil’Imile’ is about when you’re in a relationship, and you’re always taking advice from your boys and spending time with them instead of your significant other. That eventually led to the themes we discuss in ‘Lotto.’” At some point, we were talking about how amazing it would be to live another life or someone else’s life entirely. I had a conversation with Ami, and she told me she’d been feeling the same. I was being told where I could go, what time I should be back home, and what I could and couldn’t do. I felt like I was boxed in and that my life wasn’t in my hands anymore. There came a time in the middle of lockdown that I felt trapped. “‘Lotto’ was also recorded during lockdown. At some point in the song, I give an example of wanting to pay lobola but not trusting your uncle to be part of the delegation because he’d mess things up. The song is about that type of uncle and how he should be ashamed of himself for not taking care of his kids or the rest of the family. “We all have that uncle in our family-the wild uncle who just can’t be controlled by anyone. It’s not directly addressed to her because it’s a love song, but I still wanted to give her a shout-out.” She’d always wanted me to make a song that shouts her out, so this is it. ‘Jumaima’ is actually my younger cousin’s name. I needed someone who could give it an old-school R&B vibe, and he was perfect for it. In 2020, we were introduced to each other, and that’s how we came to make this song. “When I first broke into the industry, in 2018, I had a list of legends I was determined to work with. It felt like a way of saying, ‘Even if I can’t provide for my family right now, there’s a light at the end of the tunnel.’” In the end, the song also served as motivation for me. When the lockdowns were finally lifted, Sjava told me he had an idea for a song, so we went into the studio to write this. Sjava would often send me messages wishing me luck and telling me to keep my head above the water.
It was difficult not being able to provide for my family, like I usually do. When lockdowns first started, I was anxious about the fact that I couldn’t make a living because I couldn’t perform. “This is essentially a letter to my mother. Here, Mlindo the Vocalist breaks down each track. Half seance, half ambush, Lindokuhle is an album about the collision of history and the future. Despite its relatively short runtime, Lindokuhle features a motley crew of collaborators while ruminating on topics such as love, millennial hedonism, home, and hope. The result is an album that’s equal parts triumph and tribulation. Most of it was recorded then, but by the time I finished it, the country was open,” the Johannesburg-based artist tells Apple Music. “I started working on the album during lockdown. This serve as his first official project this Year Mlindo the Vocalist’s Lindokuhle is a master class in concise songwriting and delivery.
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Free video bible studies.South African singer, Mlindo The Vocalist Dishes out his highly Anticipated Project Called "Lindokuhle" Album.
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