The ensemble plans to visit India by the end of this year. “We’ve had about 22 originals so far and Shuruaat features four - two in Urdu (‘Pinha’ by Dhruv Goel, and ‘Arz-e-Niyaz’ by Sashank Navaladi), one in Bengali (‘Jaago piya’ by Armeen Musa), and one using scat syllables (‘Aakash’ by Sharon Renold).”Īnnette plans to submit Shuruaat for the Grammys. Though most of the ensemble’s covers have become viral, many of the members have also composed originals that have been performed and recorded. The sky is the limit to what a creative person can be and do,” says Annette. “Some have joined Berklee as educators, or staff members of Berklee India Exchange. For instance, the alumni include touring musicians, engineers, composers, arrangers, music supervisors, environmentalists, DJs, music therapists, actors, and influencers. Many members after graduating from Berklee have continued performing with the ensemble while also pursuing several new projects of their own.
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Students learn how to create a full show, are exposed to composition and arranging techniques, and, of course, discover new aspects about their artistry,” says Annette. I chose collaboration, innovation, kindness, and a sense of adventure to be our guiding principles. “When I founded the Berklee Indian Ensemble, I wanted to make sure young musicians feel safe to bring in their own cultural flavours to our music. In addition to Indian musicians and alumni and students of Berklee College of Music, Shuruaat boasts collaborations with contemporary-classical duo, Shadow and Light, and features two Shakti tributes, as well as four original compositions. The tracks carry the ensemble’s diverse musical influences such as jazz, progressive rock, Indian classical, sufi and Middle Eastern flavours. Shuruaat, a 10-track compilation, features 98 musicians from 39 countries, and highlights the best of Indian artistry, including Ustad Zakir Hussain, composer-singer Shankar Mahadevan and singer Vijay Prakash, besides Shreya. An entire institute, Berklee India Exchange, was born in 2014 out of this momentum that also focuses on artiste residencies, scholarships, workshops, teacher training modules, and community service,” says Annette. Over the last decade, we have had more than 450 musicians from 52 countries be part of this family. A space that allowed for cultural influences from all over the world. “I was inspired to share Indian culture with Berklee (and beyond) and envisioned a performance collective that explored Indian music in all its forms. Known for its distinct style, the ensemble honours Indian music traditions even while experimenting with genres and art forms from across the globe. “Till date, it is the most collaboratively re-arranged cover that the ensemble has produced,” says Annette, the first Indian musician to be appointed as a faculty at Berklee, and the founder of the ensemble.
Presented in a grunge-inspired version, the song, recorded during her residency, fuses progressive rock, konnakol and jazz over intricate Indian classical rhythms.
Imman for the Tamil film Oru Oorla Rendu Raja. ‘Sundari Pennae’, one of the tracks in the album, was originally sung by Shreya for composer D. The singer is now part of the Berklee Indian Ensemble’s debut album Shuruaat, which marks the music collective’s first decade together. You are all blessed,” she smiles, looking at the students attending the residency that she conducted at the Berklee College of Music in Boston in 2017. It’s so much fun and an open and inclusive space to learn music. “Actually I see myself in these youngsters and wish I had the opportunity to be at such a place. How can I be when I am in this musically charged environment,” replies Shreya Ghoshal. “Are you jet-lagged?” asks Annette Philip.
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